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Seduction and Betrayal: Women and Literature (New York Review Books Classics), by Elizabeth Hardwick
Ebook Download Seduction and Betrayal: Women and Literature (New York Review Books Classics), by Elizabeth Hardwick
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About the Author
Elizabeth Hardwick (1916–2007) was born in Lexington, Kentucky, and educated at the University of Kentucky and Columbia University. A recipient of a Gold Medal from the American Academy of Arts and Letters, she is the author of three novels, a biography of Herman Melville, and four collections of essays. She was a co-founder and advisory editor of The New York Review of Books and contributed more than one hundred reviews, articles, reflections, and letters to the magazine. NYRB Classics publishes Sleepless Nights, a novel, and Seduction and Betrayal, a study of women in literature.Joan Didion is the author of the novels Run River, Play It as It Lays, A Book of Common Prayer, Democracy, and The Last Thing He Wanted. Her nonfiction includes Slouching Towards Bethlehem, The White Album, Salvador, Miami, After Henry, and Political Fictions.
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Product details
Series: New York Review Books Classics
Paperback: 205 pages
Publisher: NYRB Classics; New Ed edition (September 13, 2001)
Language: English
ISBN-10: 0940322781
ISBN-13: 978-0940322783
Product Dimensions:
5 x 0.6 x 8 inches
Shipping Weight: 8.5 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
5 customer reviews
Amazon Best Sellers Rank:
#761,628 in Books (See Top 100 in Books)
Amazing selection of essays exploring literary feminist themes and authors. Hardwick's quick and incisive mind here covers Ibsen, Virginia Woolf and the Bloomsbury phenomenon, the Bronte sisters, and more. Smart, accesible, and searching essays by a truly gifted thinker. Highly recommended.
An excellent set of essays. Unlike the typical jargon-ridden contributions to academic journals, these essays illuminate their topics (the Brontes, Ibsen's women, Don Giovanni, Hester Prynne, Hetty Sorrel, Roberta [in "An American Tragedy"], Maslova [in "Resurrection"], Clarissa, Tess) without any ax-grinding. They are written for those who wish to learn from, to see more clearly what is being shown in, the works of imaginative literature that are the treasure belonging to us all.One sentence after another both gets at the essence of the text she is explicating and is memorable in its expression. The title essay is simply great. Examples: "Sexual transgression loses its overwhelming character as a wrong or a mistake when the persons have virtues of a compelling sort, or spiritual goodness, or the grandeur of endurance." "In many respects, the characters in "The Scarlet Letter" are not characters at all, but large, fantastically painted playing cards. Symbolic action is Hester's role." "To think of the past as a series of agreements with others that make an everlasting claim on us is unreal, and yet it is one of the most interesting questions ever asked about the subject matter of so much art: youthful love." "Richardson thought, or told himself that he thought, of his brilliant creation as a sort of encyclopedia of male guile and treachery, an elaborate defensive karate, by which the menaced girls of the eighteenth century could learn to protect their virtue." "In a letter the writer holds all the cards, controls everything about himself and about those assertions he wishes to make concerning events or the worth of others. For completely self-centered characters, the letter form is a complex and rewarding activity." "Hardy sees Tess as a beautiful, warm soul run down by the dogs of fate, in her case the bloodhounds of sex and love, Alec D'Urberville and Angel Clare." Hardwick brings to light how it is that Hester, Clarissa, and Tess can be understood as heroic, while Hetty and Roberta cannot. Highly recommended!
Her essays on the Brontes, Zelda Fitzgerald, Sylvia Plath, Virginia Woolf, and Jane Welsh Carlyle are absolute classics. If you are interested in any of these writers (and yes, even Zelda was a writer!), don't miss this one.
Is there anyone who writes so succinctly, intelligently, and yet with so much emotional resonance as Elizabeth Hardwick?
The writing is so good, but the subject matter is not new, and the few new insights into some fascinating literary woman aren't quite worth it. But I did read it and had moments of pleasure. So try it.
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