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Kamis, 26 Mei 2011

Free PDF A Guide to Artificial Intelligence with Visual PROLOG

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A Guide to Artificial Intelligence with Visual PROLOG

A Guide to Artificial Intelligence with Visual PROLOG


A Guide to Artificial Intelligence with Visual PROLOG


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A Guide to Artificial Intelligence with Visual PROLOG

Product details

Paperback: 192 pages

Publisher: Outskirts Press (January 19, 2010)

Language: English

ISBN-10: 9781432749361

ISBN-13: 978-1432749361

ASIN: 1432749366

Product Dimensions:

6.1 x 0.4 x 9.2 inches

Shipping Weight: 9.9 ounces (View shipping rates and policies)

Average Customer Review:

3.4 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#667,898 in Books (See Top 100 in Books)

The area of Prolog programming is a highly specialized area of AI and computer science. The Visual Prolog software product is a sophisticated modern implementation of the Prolog paradigm and is highly useful in the development of specialized AI, Expert Systems, Ontological Engineering, and other knowledge dependent domains. I really appreciate the fact that Mr. Scott has written this book as it serves as a readable introduction to the language and has a solid start to finish example. It also has supplemental materials on the Visual Prolog website which are quite useful and illustrative. Several of us at the Naval Postgraduate School computer science department have copies of this book, and all agree that it is an excellent introductory book. As a PhD student and computer scientist/systems engineer of 23 years for the military, I am finding this book helpful in the area of my dissertation which combines AI, software engineering and aeronautics, as Visual prolog is one of the platforms that I am using.I recommend this book for all who are specifically using Visual Prolog or some other form of Prolog. I also recommend it for AI folks who are looking for a solid programming language to serve as a foundation for their algorithms. Thanks to Mr. Scott for his efforts to write this book, it is quite appreciated here in Monterey!

A good introduction to programming in Visual Prolog, but doesn't really address AI.

A nice little introduction to Visual Prolog, but not "about Artificial Intelligence" in any sense of the that phrase. It would be a worthwhile addition to the library of someone just learning Visual Prolog, but offers little to the intermediate to advanced practitioner of Visual Prolog.

I want to say how much I appreciated reading the book on Artificial Intelligence using Visual Prolog. After a day of intense reading, I found that the book complements very well the standard publications supported by Visual Prolog, namely the detailed insights on designing a Visual Prolog application.One of my goals is to translate Pro/3 from Visual Prolog 6.3 to Visual Prolog 7.3. I am struggling with the concepts of Vip7.3 but found the example application most revealing into the way an application could be reversed engineered.In short, thank you for a very good reading!

I own hundreds of books related to computer science or programming in general, I read about one a week on average and I have to admit this is the worst book I have read in a very long time.To start with, the layout is somewhat confusing with poor choices of fonts and orientation (you have to rotate the book to look at screenshots). It defies all convention and best practices with the source code being reproduced with a proportional font so that lines of the same length don't align making it very hard to read.The tone is somewhat patronizing with sentences like "don't do this until I tell you" but more importantly, the entire content of the book is exclusively geared toward explaining one sample program which choice is dubious to say the least: extracting the most frequent, least frequent, etc. numbers from 700 lottery draws.Not only that program could be written in less than 20 lines of code in any procedural language but it has nothing to do with "artificial intelligence" and the supposed strengths of Prolog.PS: next time I will be more careful about buying a book which only has two reviews, one of them being written by the author masquerading as a reader.

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Jumat, 20 Mei 2011

Ebook Download Islamic Finance: A Practical Introduction, by Tasnim Nazeer

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Islamic Finance: A Practical Introduction, by Tasnim Nazeer


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Islamic Finance: A Practical Introduction, by Tasnim Nazeer

About the Author

Tasnim Nazeer: Tasnim is a creative, experienced writer who has written for some of the UK’s biggest publications and brands, including Al Jazeera, BBC, The Huffington Post and CNN.

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Product details

Paperback: 224 pages

Publisher: The Islamic Foundation (September 17, 2019)

Language: English

ISBN-10: 0860376354

ISBN-13: 978-0860376354

Product Dimensions:

5.2 x 8.4 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#1,876,119 in Books (See Top 100 in Books)

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Minggu, 08 Mei 2011

Free Download Emmy Noether's Wonderful Theorem

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Emmy Noether's Wonderful Theorem

Emmy Noether's Wonderful Theorem


Emmy Noether's Wonderful Theorem


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Emmy Noether's Wonderful Theorem

Review

"As this book is well written and contains a very good set of exercises, it can serve as the primary text for a special topics course." (Choice)"Nadis gives no technical details, but Neuenschwander does, in a book for physics majors with a strong background in mathematics; the book does not shy away from Lie groups and the study of invariants. This new edition delves into distinctions between two Noether theorems and adds more exercises, references, and details." (Mathematics Magazine)"Neuenschwander sets out from the beginning to help the reader who must be familiar with calculus and a few other standard topics, but who is not yet fluent in these areas... His role is to be the teacher on the side, prompting the reader with interesting observations and questions... He anticipates problems, guides you yet also makes you think things through... Not only a very worthwhile read for its content but also for its style." (Ken Zetie, St. Paul's School Mathematical Gazette)"Well-written... Throughout there is reference to the life of Emmy Noether, including the many difficulties related to being a woman in a man's world... I am glad her story is given an airing here as she fails to be as famous as she undoubtedly should be." (Phil Dyke, FIMA Mathematics Today)"Technical and yet ultimately poetic book on Emmy Neother's wonderful theorems... Neuenschwander's work is recommended for anyone who wants to gain a deeper understanding and appreciation of the physics and mathematics behind Emmy Noether's work, as well as the particular challenges she faced in her life." (Miriam R. Aczel, Centre for Environmental Policy, Imperial College London Contemporary Physics)

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Review

"A very readable and concrete introduction to symmetry and invariance in physics with Noether's (first) theorem providing a unifying theme... The style of writing is very engaging and conveys the enthusiasm of the author... The book contains many interesting examples as well as excellent exercises." (London Mathematical Society Newsletter)"Neuenschwander displays the instincts of a good teacher and writes clearly. Using Noether's Theorem as an overarching principle across areas of theoretical physics, he helps students gain a more integrated picture of what sometimes seem to be independent courses―an ever-important thing for undergraduate physics education." (Cliff Chancey, University of Northern Iowa)"Neuenschwander writes well and gives thorough explanations." (Choice)"Without entering into technicalities, the author nevertheless succeeds in preserving a reasonable standard of mathematical rigor and, above all, in convincing the reader of the mathematical beauty and physical relevance of Noether's theorem. If only for that reason, I can strongly recommend this book." (Mathematical Reviews)

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Product details

Paperback: 344 pages

Publisher: Johns Hopkins University Press; revised and updated edition edition (April 1, 2017)

Language: English

ISBN-10: 1421422670

ISBN-13: 978-1421422671

Product Dimensions:

6 x 0.8 x 9 inches

Shipping Weight: 15.5 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

29 customer reviews

Amazon Best Sellers Rank:

#672,646 in Books (See Top 100 in Books)

I love this book! It isn't an easy read but if you are willing to spend the time to read it thoroughly (for me that meant reading it from cover to cover over 7 times before I felt I had a reasonable understanding of the subject) you will understand why Einstein and others of his generation considered Dr. Noether to be one of the greatest mathematicians during the early years of the 20th century. I have a reasonable math background (a B.S. in Applied Mathematics) which was a real help with the subject matter of the book. If you are an upper division math or physics major you should be able to understand the importance of Noether's work. Dr. Neuenschwander does a good job of organizing and presenting the material.

Pedagogic physics starts with specific non-provable rules and derives mathematical statements that lead into mechanics, fields, optics, etc.These rules include the conservation of energy, momentum, etc. This little gem of a book lays the foundation to understand Emmy Noether's work to try to reverse that understanding to state the Lagrangian or Hamiltonian and then if you can establish symmetry then you can prove those assumed rules. The mathematics is beautiful, but the philosophy is not so firmly established. Instead you may have a tautology where the Hamiltonian is just another statement of the conservation law that you are trying to prove. The foundations of the math itself are not independent of assumption. Frankly, I was delighted to find that I could read and comprehend the level of mathematics presented in this book. For me, the most important point was that conservation laws depend upon symmetry or more simply they have qualifying statements. Thus the evolution of physics is really trying to understand the qualifying statements and the logic that variations imply. Thus, we are not stuck with the "Ten Commandments of Physics" but we may strive to find and establish new and more comprehensive rules about the way things work. By all means, read this book.

I am a lifelong student of Physics. I have been a student long beforeI got my PhD in Physics. I am currently a Distinguished Scientist at a Government Lab. This is first review (and possibly the last) I've written for an Amazon book, but I felt compelled to write this after reading this book. It is an excellent example of a 'true' teacher at work who understands how to relate information. This is an art form.In this book you will learn about Emmy Noether and her work in relating a huge class of conservation laws to nature's symmetries. The book explores how symmetry, invariance and conserved quantities are related, quantitatively. The first half of the book is written for self-study by an undergrad Physics student. It deals predominately with functionals (what are they), functional extremals, and when they are invariant. These chapters are the prelude to Noether's Theorem and Rund-Trautman's version of the theorem. This work first inquires whether a functional is invariant under a given transformation, and if it is, it uses Noether's theorem to get the associated conservation law. Next, it examines the inverse problem; given the transformation can you seek the Lagrangian whose functionals are invariant. In each section the author works examples in some detail and carries these examples with further detail in each of the following chapters. It's like a novel for physicists.In the last half of the book, the author teaches you how Noether's theorem is used in quantum field theory. He describes the concept of a field through simple examples and introduces Lagrangian densities. Then Noether's theorem is developed for fields and, in particular, quantum fields. Armed with the machinery from the first half of the book and the knowledge of what fields are, the author addresses the question of given gauge invariance what does Noether's theorem tell us about the properties of the Lagrangian.Like most first addition books, there a few typos in the book but they are easy to spot and do not detract from the beautiful presentation of these subjects.I hope you enjoy this as much as I did.

The author states "The reader I have in mind is a junior or senior under graduate physics student, or a beginning physics graduate student. Well do I remember being one of those students myself. Those memories include the frustration of trying to read a manuscript loaded with jargon that assumed a fluency I was still struggling to master. At that point in one's career, details that are incidental trifles to experts can become major sticking points for novices (see the following list of questions for example)." This quote comes from page XI, on page XV and XVI is the list of PRIMARY and AUXILLARY QUESTIONS which he leaves to "us" to discover the answers too. The other thing the author states is before we read this book we should get hold of Emmy Noether's original paper, which the author could have given us in the book (it is public domain). Once you get through this book with understanding of the subject you will be able to write a better explanation of the theorem.

References to the Noether's theorem are aplenty in modern physics books, with various levels of depth depending on a specific usage. This book is special in focusing on the theorem itself and in providing all necessary conceptual environment for complete understanding of its meaning, sources, consequences, and limitations. I enjoyed clear explanations with careful attention to subtle details.

The author does a great service by providing a readable gateway text into mathematical physics.This is the second edition of this wonderful book. I worked through the 1st edition and was delayed by some errors. So far, all the errors that delayed me in the 1st edition have been fixed.Having said this, the author has taken a few worked examples and made them into homework problems. The autodidactic reader may not find this as helpful as worked examples.

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Jumat, 06 Mei 2011

Ebook Aaron Copland (Getting to Know the World's Greatest Composers), by Mike Venezia

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Aaron Copland (Getting to Know the World's Greatest Composers), by Mike Venezia


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Aaron Copland (Getting to Know the World's Greatest Composers), by Mike Venezia

About the Author

Mike Venezia is the author of several nonfiction books for children.

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Product details

Age Range: 6 - 9 years

Grade Level: 1 - 4

Lexile Measure: 930 (What's this?)

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Series: Getting to Know the World's Greatest Composers

Paperback: 32 pages

Publisher: Childrens Pr (September 1, 1995)

Language: English

ISBN-10: 0516445383

ISBN-13: 978-0516445380

Product Dimensions:

8 x 0.2 x 9.5 inches

Shipping Weight: 8.8 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#469,285 in Books (See Top 100 in Books)

As a teacher, I love this series! My goal is to teach my 3rd graders about the famous artists and composers. This series makes it easy, fun, and interesting!

This series of books, both the artists and composers series are a wonderful and fun introduction for children (and adults) to the arts and the artists behind the art treasures we cherish.

Good Price. Great Product. Product was received in excellent condition.

Easy to read. Humorous. Well illustrated. Same comments for all the books in this series. Highly recommend them for elementary music teachers.

I own many of these books about composers - fun and educational with great pictures

Venezia's love and respect for music shine through in another of the books in his World's Greatest Composers series. The story of Aaron Copland's life is told in an interesting and amusing fashion and shows children how Copland discovered his own style through his experiences over the years. While Venezia's artwork is comical as ever, the choice of artwork is also wonderful, showing how music as well as art changed as the times were changing. Children will appreciate how Copland looked to change his musical style when he realized that many people weren't understanding it. Venezia really brings Aaron Copland to life in this wonderful little book.

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Kamis, 05 Mei 2011

Free PDF Drawn to Life: 20 Golden Years of Disney Master Classes: Volume 1: The Walt Stanchfield Lectures, by Walt Stanchfield Don Hahn

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Drawn to Life: 20 Golden Years of Disney Master Classes: Volume 1: The Walt Stanchfield Lectures, by Walt Stanchfield Don Hahn

Review

For nearly thirty years, the artists that passed through the gates of Disney Animation, and even non-artists like myself, were influenced by the craft, skill, wisdom, writings and sketches of Walt Stanchfield. Roy Disney Walt was a kind of Mark Twain for us at Disney. He always taught with humor and skill. You learned to see the world through his eyes. I remember him one day encouraging us to leap into our drawings with boldness and confidence, "Don't be afraid to make a mistake. We all have 10,000 bad drawings in us so the sooner you get them out the better!" Sitting in Walt's class was as much a psychology course as it was a drawing class. One couldn't help walk away with your mind and soul a little more open than when you entered. Glen Keane, Walt Disney Animation Studios Walt Stanchfield's classes and writings were little distillations of the man: quirky, strongly stated in a genial voice, and brimming with a lifetime of sharp observations about story telling and graphic communication. Whether he drew with a ball point pen or painted with a brush dipped in his coffee cup, he got to the essence of things and was eager to share what he learned to his eager disciples, myself among them. He was grizzled and he was great and proof that there was more than one Walt at the Disney Studio that could inspire a legion of artists.   John Musker, Walt Disney Animation Studios Walt Stanchfield was one of Disney Animation's national treasures. His classes and notes have inspired countless animation artists, and his approach to drawing of caricature over reality, feeling over rote accuracy, and communication over photographic reproduction gets to the heart of what great animation is all about. Huzzah to Don Hahn for putting it all together for us! Eric Goldberg, Walt Disney Animation Studios During the Animation Renaissance of the 1990s, one of the Walt Disney Studio's best kept secrets was Walt Stanchfield. Once a week after work, this aged but agile figure jumped from drawing board to drawing board, patiently teaching us the principles behind the high baroque style of Walt Disney Animation drawing. Being in a room with Walt made you feel what it must have been like to have been taught by Don Graham. Having one of your life drawings be good enough to be reproduced in one of his little homemade weekly bulletins was akin to getting a Distinguished Service medal! Senior animators vied with trainees for that distinction. Tom Sito, Animator/Filmmaker/Author of Drawing The Line: The Untold Story of the Animation Unions from Bosko to Bart Simpson This exciting collection of master classes by the great teacher Walt Stanchfield is destined to become a classic on the order of Kimon Nicolaides' exploration of the drawing process. Stanchfield (1919-2000) inspired several generations of Disney animators and those of us outside the studio fortunate enough to happen upon dog-eared copies of his conversational notes, which we passed around like Leonardo's Codex Leicester. Stanchfield beautifully communicates the essence and joy of expressing ideas through the graphic line and accumulating a visual vocabulary. DRAWN TO LIFE is a treasure trove of cogent, valuable information for students, teachers and anyone who loves to draw. John Canemaker, NYU professor and Academy Award-winning animation filmmaker Walt Stanchfield, in his own unique way, taught so many of us about drawing, caricature, motion, acting and animation. Most important to me, was how Walt made you apply what you had observed in his life drawing class to your animation. Disney Animation is based on real life, and in that regard Walt Stanchfield's philosophy echoed Walt Disney's: 'We cannot caricature and animate anything convincingly until we study the real thing first.' Andreas Deja, Walt Disney Animation Studios Walt Stanchfield's renewed emphasis on draftsmanship at the Disney Studios transformed the seemingly moribund art of animation. His students were part of a renaissance with The Little Mermaid and Who Framed Roger Rabbit, a renaissance that continues with films ranging from The Iron Giant to Lilo and Stitch to Wall-E. Charles Solomon, Animation Historian I'm so grateful to Focal Press for publishing these fabulous Walt Stanchfield books. They are veritable 'gold dust' for the serious (and aspiring) animator! So 'hurrah' to Focal and 'hurrah' to Don Hahn to committing himself to compiling them. I ordered my copies the minute I saw them and will of course hope my students are smart enough to do so too!  Tony White, DigiPen, Author of 'Animation: From Pencil to Pixels' and 'How to Make Animated Films'

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Product details

Series: Walt Stanchfield Lectures (Book 1)

Paperback: 448 pages

Publisher: Focal Press (April 6, 2009)

Language: English

ISBN-10: 0240810961

ISBN-13: 978-0240810966

Product Dimensions:

8.5 x 1 x 10.8 inches

Shipping Weight: 3.2 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

140 customer reviews

Amazon Best Sellers Rank:

#30,331 in Books (See Top 100 in Books)

this wonderful book contains not the anatomical information of drawing, (though it very briefly and sparsely touches that, so briefly that it's not worth mentioning) but the force that gives a drawing life; gestures and intention. the reviews that complain of illustration quality obviously have missed the point of the book. this is not about finished drawings, this is about capturing a moment and learning to express emotions and movement through your characters. creating interest with flow and lines and simplicity and building from there is up to you. this can be applied to any style. i've only had this book for one day and i can not put it down. Mr. Stanchfeild explains the thinking process for bringing about believable and relatable poses, how to breathe life and a story into a simple sketch. his explanations are amazingly easy to understand and to apply. rudimentary knowledge of anatomy is required to practice these exercises but even then it will be molded to your needs. i can not say enough good things about this book and will purchase the second when i've finished this one.

Images suck badly in kindle verision, so disappointing trying to see the details that Stanchfield point out in the book only to get pixels and noise please fix this and I'll change my rating to 5 stars :( also is hard to read text written in scanned images this is a lousy work, if you are going to buy the printed version then, 5 stars this info is invaluable, but digital version I may prefer the free version that is out there. Not buying the second book because of this reason.

This is a great book, very poorly bound. Pages were coming out from the first reading. Don't buy this edition. Shame on Focal Press.

The material in the book is fantastic and was just what I was looking for. But the binding of the book is terrible. I purchased it as new and have opened it twice since I have purchased this book and literally 15-20 pages have fallen out. Not impressed.

 Drawn to Life is a collection of lectures from long-time Disney animator Walt Stanchfield. He has worked for Disney since the 1950s.There are two volumes, each with over 400 pages. The reason for two volumes is probably to make the books easier to handle. Both are on gesture and life drawing, even though the cover art might suggest otherwise, especially the one with the lion. You can start reading from any book and any lecture. The order isn't important.There are plenty of essays in the books. Each is a lesson relating to drawing and animation. It can be tangent drawings, creating believable characters, learning to observe, understanding gestures, etc. There are tips on almost anything relating to drawing. Loose and sketchy sketches serves as examples to the lessons.These books are more thinking than drawing technique books. For example, the lessons are not about how to draw perspective, the lessons are about how to use perspective. You can view sample pages for volume one and volume two on amazon.com to get an idea.The books represent a tremendous wealth of information and insight into drawing, animation and observation. After all, Walt Stanchfield has more than 50 years of experience in animation.This book is recommended to those who are into animation and drawing.(More pictures are available on my blog. Just visit my Amazon profile for the link.)

Most drawing books I've found are structured and tell you how to draw this and how to draw that and just pretty much lays it out to you to get it to look like the picture in the book. Not very creative in my opinion. This one, however, is different. Good different. These are notes by Walt Stanchfield, who taught drawing classes to some of the great animators of today such as Glen Keane, Joe Ranft, Andreas Deja, and Eric Goldberg. In this volume he emphasizes the gesture drawing and capturing the essence of the action. This book is meant for animators who need to think in motion, but can be very helpful for any artist who wants to make their drawing more than "just a drawing". (He uses that phrase a lot). Most of this book is reading material with drawing illustrations to stress the point, but the reading is so fast and almost conversational in a way because he uses humor, drama, stories from his life, and stories from his drawing classes. I always end up smiling in each chapter and even sometimes laughing out loud at some of the things he says. I recommend having a pen or highlighter with you when reading each chapter because he says some pretty enlightening things that hit me like "why did I not think about that in a drawing before?" So whether you be an inspiring animator, such as my self, or just want to better your art, I highly recommend both volumes to really bring your art to life!

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Drawn to Life: 20 Golden Years of Disney Master Classes: Volume 1: The Walt Stanchfield Lectures, by Walt Stanchfield Don Hahn PDF
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