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Rabu, 31 Desember 2014

Download Ebook Rapid Cardiac Care

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From the Back Cover

Rapid Cardiac Care is an indispensable resource for all frontline staff working with acutely ill patients. Offering easy access to the knowledge base needed to provide rapid, safe and effective cardiac care, it is ideal for newly qualified healthcare professionals including, nurses, paramedics, cardiac technicians, junior medics, and physiotherapists. Key features include: Essential information to support the assessment of the cardiac patient including focused history taking and physical assessment, rhythm interpretation and 12-lead ECG assessment Practical guidance on how to care for patients with cardiac emergencies, including acute coronary syndromes, arrhythmias, heart failure and cardiac arrest A quick reference A-Z section that explores a wide range of conditions affecting the heart, each with a comprehensive overview of patient presentation and strategies to guide patient assessment and management Diagrams and images are provided to facilitate learning

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About the Author

Emma Menzies-Gow, Senior Lecturer (Cardiac Nursing) - Kingston and St. Georges Joint Faculty, St. Georges, University of London Christine Spiers, Principal Lecturer (Cardiac Care), School of Health Sciences, University of Brighton.

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Product details

Series: Rapid

Paperback: 136 pages

Publisher: Wiley-Blackwell; 1 edition (February 5, 2018)

Language: English

ISBN-10: 1119220270

ISBN-13: 978-1119220275

Product Dimensions:

5.5 x 0.3 x 8.4 inches

Shipping Weight: 7 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

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Minggu, 28 Desember 2014

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Product details

Paperback: 82 pages

Publisher: CreateSpace Independent Publishing Platform (March 5, 2018)

Language: English

ISBN-10: 1986242218

ISBN-13: 978-1986242219

Product Dimensions:

5 x 0.2 x 8 inches

Shipping Weight: 5.1 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#8,983,835 in Books (See Top 100 in Books)

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Jumat, 21 November 2014

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Product details

File Size: 4336 KB

Print Length: 48 pages

Publication Date: December 11, 2016

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01NAIF3QC

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#591,824 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

This is a very basic, high level summary of how to set up various asset, liability and equity accounts in QuickBooks. It is very high level and not designed to tell you specific steps to take in QuickBooks. Good theoretical overview for non-accountants.

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I love this very informational QuickBooks training I loved loved so I will recommend to any business owner or accountant

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Selasa, 18 November 2014

Ebook Download , by Natalie Keller Reinert

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Product details

File Size: 1285 KB

Print Length: 370 pages

Publication Date: May 18, 2014

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00KFSDFSQ

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Amazon Best Sellers Rank:

#132,189 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

It's with great relief that I can give Natalie Keller Reinert's Ambition three stars and wish I could give it three and a half. I was worried for a while. For the fact is, this book starts on Chapter 13.I did need a lot of the information in the first 12 chapters: the source of Jules's maniacal drive for success, where she got the money for her farm, what her days were like. Obviously I needed a lot of the early information: the meeting with Peter and Jules's first disaster, and I needed to meet Mickey, of course. I didn't at all mind being taken back to some of the atmosphere of an outdoors working life in Central Florida, having ridden and taught riding in Tampa for 23 years. But by Chapter 13, I was skimming the text, muttering, "I know this already!" I was thinking, "When is something going to happen in this book?"Fortunately, it did. Peter showed back up, Jules went to a show, we found out a little of the challenge she faced in Mickey, and we saw just how ferociously she sabotaged herself. I got caught up in Jules's struggles, even though I kept wanting to give her a body shake and shout, "Girl, get a read on yourself!"Despite my impatience with her, I found Jules well-drawn, believable. I had a little more trouble with Peter, who comes across as flatter, more of the Good-Looking Guy Who Is Misunderstood requisite in romances than a flesh-and-blood person. I couldn't understand why he kept coming back to someone who treated him so brutally. He wasn't painted as a masochistic type.The writing is lively, capturing the train wrecks so often characteristic of a life with horses with humor and insight. I know whereof Reinert speaks when she takes us through a horse person's learning curves: For example, like Jules, I somehow internalized the idea that it was my job to place the horse's feet at exactly the right take-off spot. The day the trainer I'd found late in life (too late) said to me, "Your job is to set the tempo, pace, and frame; it's his job to jump the fence" was the beginning of one of the most unsettling psychological leaps I could imagine. As a confirmed control freak, letting the horse make his own decisions? Really? Reinert knows her stuff; all the horse-handling in this book rings true.I did raise an eyebrow once or twice. Two women taking full care of 13 horses, riding 9 a day? A trainer as far along as Jules not recognizing a bad shoeing job and a sore-footed horse? On the former point I'll have to cede to Reinert; she's been around a lot more than I have and maybe people can manage that schedule. The latter point I attribute to poetic license; it gives Peter a chance to show his stuff. But still. That said, the completion of Jules's character arc was fitting and worked well.Anybody who has been where Jules and I have both been, watching other people ride while we clean stalls, trying to negotiate personal relations when differing views of what ought to be done with a horse intervene, hanging on to a precarious dream without the basic wherewithal it requires, will have a lot of fun with this book. As will those who dream of being rescued by Peter—not a bad fate.

Absolutely fell in love with Jules. She's an amazing dedicated athlete, yet an outsider with a chip on her shoulder..she's such a relatable, believable heroine. I loved her work ethic and attitude, and her flaws. the secondary and horse characters in this novel are amazing, as is the dialogue. It has an HEA that also leaves you begging for more, and accurately shows the eventing world as one of the toughest and most demanding equine sports. Jules has to fight for everything she's gotten, and just doesn't know when to give up fighting and let things be good, but she's surrounded by people who care about her despite her imperfections. Really love this novel.

This is one of the most accurate horse books out there. The author so clearly knows horses and the eventing world, which is very refreshing. Even better, she can really write and creates interesting, well developed characters. She also is great at descriptions (the Ocala weather is almost its own character) and realistic dialogue.Jules is a complicated person and it was great fun to go along on the journey with her as she matures and grows into herself. While Jules falls into the category of riders without trust funds who break into the big time, it's believable (unlike some other riders in books), because she does have some money from a relative to buy her farm. This is thankfully not one of those annoying books where a rider with no money and no training finds an amazing horse in some unlikely scenario and goes on to win at a national competition. It's also nice that the ending didn't tie everything up in a perfect bow. I'd recommend this book for any reader of horse books who likes a realistic, well written story.

I am most familiar with Natalie's writing through her blogs and articles on horses and racing, so even though eventing is not my sport by any stretch I decided to take a stab at reading "Ambition" (in part because the cover caught my eye.) I ended up being sucked into the story enough I finished reading in two days!The good: Natalie knows horses and it shows without being obnoxious. You almost never have the feeling that something is being explained rather than the narrator's logical internal monologue. The characters are engaging (except see below) and the horses are probably the most realistically-drawn I've read in a long time. I even love the evil pony. Yes, I know "evil pony" is redundant. There's a definite art to writing a character who isn't generically likable or supposed to be likable BECAUSE they're bitchy and Jules is well done for the most part. She has legitimate reasons for her temperament, but we aren't supposed to applaud her as a 'strong female character' simply BECAUSE she's got a bad attitude. Her determination and love of horses is admirable and makes you want to root for her, and you understand her reasons for her 'go it alone' attitude. Up to a point.The bad: I took away one star for two reasons. Jules is a well-rounded character, and we're not supposed to be entirely supportive of her voluntary isolation (emotional and literal.) But the unrelenting nature of her attitude does start to grate after a while. She's so negative at times it becomes hard to sympathize, especially when she is in so deep over her head with a horse and will not ask for help, the hallmark of a good horsewoman. Also, Peter sticks out among the characters as being so perfect it's 1. hard to believe and 2. hard to understand why he's so extremely persistent (nicely!) in pursuing Jules when she's at best terse with him. The other reason is the rather abrupt ending. First, the build-up lead me to expect more to the accident than a minor fracture that's hardly worth mentioning. Second, as other reviewers have noted, the leap from the chapter-ending accident to "weeks later" in the last chapter is very abrupt. Of course, it's also a good sign, as I wasn't really ready for the book to be over!

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Minggu, 09 November 2014

Download PDF , by Murray Sperber

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Product details

File Size: 703 KB

Print Length: 348 pages

Page Numbers Source ISBN: 0805068112

Publisher: Henry Holt and Co. (April 1, 2011)

Publication Date: April 1, 2011

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B0057QT6HU

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Here's one of the funniest anecdotes from "Beer and Circus." It's actually a Jimmy John advertisement, written by a witty undergraduate at an American college town:Q: HEY JIMMY JOHN: Why is the University president's house so big?A: The president represents all that is important to our school as an institution of higher learning. These hallowed and noble academic grounds are the fertile fields upon which the future of our nation is grown. And the University president and the house he lives in must demonstrate to all the priority we place on this importation mission.Q: Why is the coach's house even bigger?A: No comment.Murray Sperber lacks the passion and the eloquence of Neil Postman, but he makes it up with the logic and craftsmanship of his argument. A professor of English and American studies at Indiana University in Bloomington, Professor Sperber is a contemporary of Bob Knight, the wildly successful coach of the UI basketball team who bullied his players as much as he bullied reporters and the college president. There's very little nuance and subtlety in Sperber's argument, mainly because he feels that there doesn't have to be. Right now, colleges are run like corporations with the mindset of the three Rs -- recruiting fee-paying students, retaining them, and renewing alumni support. Treating students like consumers has meant that colleges -- especially the publicly-funded state universities -- have turned away from their historical mission of turning out well-educated citizens of a democracy into a four-year playhouse in which students have access to be most lavish recreational and sports facilities, comfortable dormitories, and sports games -- but not to a professor who will challenge them to think critically and who will mark up the grammatical errors in their papers. That's because professors aren't supposed to teach -- they're supposed to be conducting research, writing books, appearing on CNN, and winning federal grants so that the colleges can look good.Professors don't teach, students don't learn, and American colleges have become nothing more than "beer and circus." That's about right.

Professor Murray Sperber presents a critique of giant, public, Research I/Division I universities, particularly of the low quality of education that many of their undergraduates get. It is well written and an entertaining read, and much of the criticism is spot-on correct. I think he misses some key points, though.These universities are a very American concept. They let in just about anyone. They take their money, and that's important for the existence of the enterprise. They then give the students a chance. Some do very well, even if they aren't in the honors college: I've seen it done. Some don't, but many of these seem placated with the "beer and circus" available at these schools.Professor Sperber doesn't seem to realize that education is fundamentally a self-directed activity. One gets out of it what one puts into it, and one needs to pursue it actively. If this message hasn't been made clear to students previously, it ought to be repeated to them clearly upon arrival at the university.Sperber does not like large classes, which are common at large universities. I agree that teaching them well does take special effort and skill. Still, several of the best classes I had when I was an undergraduate during the `70s had hundreds of students in them. They were good because the instructors knew their subjects well, and presented them well.Annoyingly many small classes I took were among the worst, for several reasons. Some instructors had poor communications skills. Some clearly put little or no effort into their teaching, and frequently came to class unprepared. Disturbingly many didn't know their subject well, because they hadn't done any research in many years and so were out of date.I resolved never to be like that. Life loves its ironies, of course: now that I'm a professor, I have no shortage of students who squander the opportunities I knock myself out to make for them.Almost none of the students from my classes of over 100 ever come to my office hours for help. Whose fault is that? If you accuse me of being intimidating, oh honestly, are we dealing with adults, or with hothouse flowers? I have quite a lot to do during the day, so why should I spend my limited time on people who would get fired, if they did any job in the world the way they are doing college?Sperber decries honors colleges, which didn't exist when he was a student in the '50s, when "all students were treated equally." He doesn't seem to realize that attitudes have changed. College is no longer regarded as a privilege, as it was in the '50s: many students today see college as an entitlement. Honors colleges don't choose their students at random: they do so by academic merit, both before and during college. Students who did not do well in high school can still get into an honors college, if they build a strong record once they're in college. They can also get booted from an honors college if they let their grades slip. Honors colleges therefore do too improve the education of all students: they provide a goal for ambitious students to work for, they attract students who may have attended more selective universities, and by doing this they prevent everyone from sliding into mediocrity.Too much hand-holding can be harmful to education. I am often ashamed by how much I get wheedled into doing, particularly since so little of it appears to do any good. Peter Sacks discusses this in "Generation X Goes to College." I think the "sink or swim" approach often used at R1 universities has much to be said for it, particularly for cultivating student initiative. Why is it that universities are constantly criticized for being unlike "the real world," but then when one makes them that way, by holding students responsible for their education, the students so often resent it?During the 1960s, student protests did away with "in loco parentis," and instituted anonymous student evaluations of teachers. The students insisted that since they were over 18, they were entitled to be treated as adults. So, now that they say they're adults, who is ultimately responsible for their education? The students are! We have seen cases where reforms were attempted, and there was a hue and cry, which came from the students. One example was at Sperber's very university: remember the incident when someone threw a billiard ball through the university president's window when he tried to crack down on frats? Remember the "Right to Party" riots at Michigan State, made fun of by Doonesbury?Much of the logic that Professor Sperber uses to bolster his arguments is questionable. I really dig how he rips into "the student-faculty non-aggression pact." What, was this some sort of formal treaty, negotiated by the United Nations and on display in a glass case at the National Archives?The research mission of the university is important, particularly since so little basic research is being done anymore by the private sector. Drop that ball, and it will be bad for the economy. It's true that just being a good researcher is not a sufficient condition for being a good teacher, but many of the worst instructors I had when I was an undergraduate were that way precisely because they were non-researchers. (I once had a good argument about the contrapositive with a philosophy professor during an intro to logic course, despite there being 600 other undergraduates in the class.)I agree that too much emphasis on athletics can be a bad influence. Still, Professor Sperber doesn't really make the case in this book that this definitely is detrimental to education. Maybe he does this in his other books, which I haven't read, but he doesn't do this convincingly in this one: it's no more than an argument equating correlation with causation.Some of the reviews above complain that these universities "cheat their undergraduates." They ought to realize that this would be quite impossible without these undergraduates' full complicity and enthusiastic participation. It has always been possible to get a good education at these universities. Spending 5-6 years in drunken stupor (see The Five-Year Party: How Colleges Have Given Up on Educating Your Child and What You Can Do About It) is entirely avoidable.

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Rabu, 05 November 2014

Ebook Download Fairy Tales from the Brothers Grimm: A New English Version (Penguin Classics Deluxe Edition), by Philip Pullman

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Review

“Pullman’s Fairy Tales offers something unique: the chance to watch a master storyteller think through these most foundational of tales. . . . It is fascinating.” —The New York Times “You didn’t know you needed to reread Grimm. You do. This is a grand and great book. . . . I read it ravenously, rapturously.” —Gregory Maguire, author of Wicked and Making Mischief: A Maurice Sendak Appreciation “Zippy! . . . These tales are about plot and economy and speed [and] make great bedtime read-alouds for children who can handle a little gore. . . . The original tales weren’t for children, of course; they were for everyone. So is this book. . . . Pullman is both erudite and funny. . . . He has fun with dialogue, and is particularly snappy with dwarfs. . . . You know what? He crushes it, as the youth of today are wont to say. . . . His translations are perfection.” —The New York Times Book Review “It is such a pleasure to read these tales again, to experience their strangeness and richness, their violence and beauty, their sheer nonsense. . . . Reading Pullman’s version it is impossible not to hear Pullman’s own gentle voice; he is present on every page. . . . [His] interventions work brilliantly.” —The Boston Globe “These wonder tales . . . compel belief as powerfully as any adventure or thriller.” —Marina Warner, The Times Literary Supplement “Excellent . . . His beginnings are like invitations that cannot be refused. . . . Pullman shows how completely he understands the Grimms. . . . [He] pays homage to the Brothers’ pioneer work and simultaneously breathes new life into a great, venerable tradition of magical storytelling.” —Jack Zipes, Los Angeles Review of Books “A real pleasure to read . . . This is the kind of writing that stands up to years of bedtime repetition. . . . The author’s best appearances are in the notes, which are often as entertaining as the stories themselves. . . . Swiftness and clarity, he says, were his guiding principles; to which he has added wit and invention. . . . Beautiful or grotesque, the mad poetry of these tales is often delightfully funny too.” —The Economist 

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About the Author

Philip Pullman’s His Dark Materials trilogy (The Golden Compass, The Subtle Knife, The Amber Spyglass) has sold more than fifteen million copies and been has published in more than forty countries. The first volume, The Golden Compass, was made into a major motion picture starring Nicole Kidman and Daniel Craig. Pullman is at work on a companion His Dark Materials novel, The Book of Dust. He lives in Oxford, England.

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Product details

Series: Penguin Classics Deluxe Edition

Paperback: 448 pages

Publisher: Penguin Classics; Deluxe, Reprint edition (October 29, 2013)

Language: English

ISBN-10: 0143107291

ISBN-13: 978-0143107293

Product Dimensions:

5.6 x 1.2 x 8.4 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

98 customer reviews

Amazon Best Sellers Rank:

#222,399 in Books (See Top 100 in Books)

The Economist (1-year auto-renewal) recommended Philip Pullman's new anthology of Grimm's fairytales among their annual review of books. I was not disappointed. Many of the stories will be familiar to readers either through Disney adaptations (Cinderella,Snow White) or from other collections or adaptations / variations of the folk stories collected by the Grimm brothers (Folktales of England (Folktales of the World),Russian Fairy Tales (Pantheon Fairy Tale and Folklore Library).Here, Pullman has 50 stories adopted from Grimm's Fairy Tales: Complete and Illustrated (Over 200 Fairy Tales, with Illustrations, and Bonus Features), some clarified, all with a brief annotation on their origins and variations. What pleased and suprised me most were the variety and number of stories I had never heard before: "The Boy Who Left Home to Find Out About the Shivers" (also known as 'The Man Who Did Not Know Fear' or 'The Dead Man's Arm'), "Godfather Death" ('The Land Where No One Ever Dies') and "Iron Hans" ('Three-For-A-Pot', 'Prince Ivan and Princess Martha') were among my favorites. Aside from the tales themselves - which were like revisiting an old friend - the annotation was particularly interesting, Pullman often discussing the morality tales they represent (as with "Little Red Riding Hood") and the variations between strories.As an intellecutal exercise, the book would have benefitted from greater attention to these variations in storytelling and longer exposition on the morality tales within them. (If this is of interest, I strongly recommend Maria Tartar's Off with Their Heads! Fairy Tales and the Culture of Childhood.) As a collection of children's stories, I would have expected some illustrations to accompany the tales, the better to hold and keep the interest of a child to whom the stories are being read to or read by. Nonetheless, it is a wonderful collection of fairytales, with a suprising number of stories that readers may be unfamiliar with and which are a lot of fun to read.

Terrific re-tellings of the stories. These aren't translations, strictly speaking. The language is modernized, and current idiom pops up everywhere. Under less skilled direction this might mar the stories, but not here. Everything is nicely judged. Great version of the Grimm stuff, though of course only a small selection. You know, I suppose, that most of this material isn't suitable for children--not modern children, anyhow. This isn’t exactly Tinkerbell and her Fairy Friends. There's some serious brutality, and from story to story a repeated fixation on cannibalism. You get the feeling children were so poor they really did think their parents might eat them. Just imagine you're very small, and are sitting at the dinner table, and there really is almost nothing for dinner. Your parents are very unhappy . . . and then they look at you . . . they look at you funny. Nowadays your parents only eat you emotionally. Let's see, which is worse?

First of all, Pullman! Then Grimm! How awesome is that combination? I thoroughly enjoyed Pullman's commentary at the end of each tale...his notes about the origin of the tale, and his own opinion...I especially loved his line about Jungian twaddle! He loves these tales...and accepts them for what they are.He's retold, reconstructed, 53 tales, as neatly and simply as he can. He keeps the original pacing, the characters. The spare plot details.Four new (to me) tales are my favorites:"The Riddle," echoed by TURANDOT, "The Juniper Tree," in PUllman's words: "For beauty, for horror, for perfection of fomr, this story has no equal. "The Two Travelling Companions" gives us a picture of good and evil in a new way. "The Goose Girl at the Spring" with flashes of KING LEAR.Pullman's respect for the tales brings this whole thing to life. Loved reading old favorite and new favorites

I'm familiar with most of these stories already - I think I was hoping for stories that were new to me. I was also hoping for some more historical detail and analysis, but what Pullman has added is all quite good, and there were things I didn't know, so it was worth the price. Also, the stories really aren't as horrible as a lot of the garbage kids read nowadays, so don't be afraid to let your 5th grader read them.

Not all that different from the familiar translations. Pullman’s brief, insightful commentaries on each story enrich the tales with historical & literary context.

In some form or another you know a small portion of the fairy tales from the Brothers Grimm. Or you think you do. Maybe you've seen the Disney versions of Snow White, Cinderella, and Sleeping Beauty. Beautiful, but sanitized. Or maybe you grew up in the 80s/90s and remember the Brothers Grimm cartoons that showed up on Nickelodean. Seriously, it was kind of cool. And maybe you know about Rapunzel, Hansel & Gretel and a couple others. But all that is only the tip of the iceberg.In this excellent collection, fifty tales are presented to you. You'll find the usual - princesses in distress, wicked witches, and handsome princes. But you'll also encounter enchanted fishes that grant you wishes, bewitched frogs, a mouse, bird and sausage who set up house, trees that grant wishes, demons who makes deals, evil kings, beautiful queens, dancing shoes, evil mermaids who kidnap men, and worlds of enchantment. At the end of each tale is a little bit of analysis by Pullman as well as a comparison of how the story fits into the world it was created and how it compares to other fairy tales.I'm a fan of fairy tales. Both on the merits of the story and on what they can reveal about the society they describe. And Pullman does a great job of retelling the classics we think we know and introducing us to a number of stories that should be classics; I'm looking at you The Fisherman and His Wife. So yes, do read this if you're interested in the subject.

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Minggu, 02 November 2014

PDF Ebook Business Law (Barron's Business Review Series)

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From the Inside Flap

Table of Contents:Preface THE LAW AND SOCIETY 1 ORIGIN AND NATURE OF LAW 2 GOVERNMENT UNDER LAW 3 THE U.S. COURT SYSTEM AND THE LEGAL PROCESS CONTRACTS 4 NATURE, CLASSIFICATION, AND FORMATION 5 REALITY OF THE CONTRACT: DID THE MINDS REALLY MEET? 6 CAPACITY OF THE PARTIES AND LEGALITY OF SUBJECT MATTER 7 THE STATUTE OF FRAUDS; PAROL EVIDENCE RULE; PRIVITY 8 DISCHARGE; DAMAGES AND OTHER REMEDIES 9 SPECIAL PROBLEMS CONCERNING SALES CONTRACTS COMMERCIAL RELATIONS 10 NEGOTIABLE INSTRUMENTS: DEFINITIONS, CONCEPTS, AND EGOTIATION 11 NEGOTIABLE INSTRUMENTS: THE HOLDER IN DUE COURSE,DEFENSES, LIABILITY, AND DISCHARGE 12 BANKING PROCEDURES AND THE BANK/CUSTOMERRELATIONSHIP 13 CREDITORS' RIGHTS AND DEBTORS' PROTECTION; BANKRUPTCY; SECURED TRANSACTIONS BUSINESS FORMATIONS14 AGENCY 15 TYPES OF BUSINESS ORGANIZATIONS; PARTNERSHIPS; FRANCHISES 16 CORPORATIONS: NATURE, FORMATION, TYPES, AND POWERS 17 MANAGEMENT OF THE CORPORATION; TERMINATION 18 CORPORATIONS: FINANCIAL STRUCTURE; SECURITIESREGULATION; LIABILITY OF ACCOUNTANTS SPECIAL TOPICS 19 CRIMES AND TORTS 20 PROPERTY 21 INSURANCE, TRUSTS, AND WILLS 22 ANTITRUST LAW 23 ENVIRONMENTAL LAW 24 EMPLOYMENT LAW 25 LABOR-MANAGEMENT RELATIONS LAW 26 LEGAL TOPICS CONCERNING INFORMATION TECHNOLOGY: INTELLECTUAL PROPERTY, COMPUTER LAW, AND PRIVACY 27 TAXATION 28 INTERNATIONAL LAW GLOSSARY INDEX

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Product details

Series: Barron's Business Review Series

Paperback: 800 pages

Publisher: Barrons Educational Series; Sixth edition (November 1, 2015)

Language: English

ISBN-10: 1438005113

ISBN-13: 978-1438005119

Product Dimensions:

6 x 1.5 x 9 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

22 customer reviews

Amazon Best Sellers Rank:

#41,720 in Books (See Top 100 in Books)

This book is easy to read I got a better understanding out of this book than what I got out of the school textbook. I really like the glossary in the back of the book it is very helpful with definitions. I will get a lot of use out of this book.

super informative, easy read

Had this professor for Business Law in undergrad and bought the book to supplement Business Organizations in Law School. Lifesaver!

Great reference and information. Would recommend to anymore wanting more information.

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book is great, but an electronic copy would have been better, I think.

This book helps a lot

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Rabu, 15 Oktober 2014

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Kisses for Elena

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Listening Length: 30 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Timothious

Audible.com Release Date: February 18, 2019

Language: English, English

ASIN: B07NQR8GP9

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Jumat, 12 September 2014

Ebook Free Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture, by Ross King

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Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture, by Ross King

Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture, by Ross King


Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture, by Ross King


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Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture, by Ross King

About the Author

Ross King is the highly praised author of Mad Enchantment, Leonardo and The Last Supper, Brunelleschi's Dome (the Book Sense Nonfiction Book of the Year in 2000), Michelangelo and the Pope's Ceiling, The Judgment of Paris, Machiavelli: Philosopher of Power, and two novels, Ex Libris and Domino. He lives outside Oxford in England.

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Product details

Paperback: 208 pages

Publisher: Bloomsbury USA; Reprint edition (August 13, 2013)

Language: English

ISBN-10: 1620401932

ISBN-13: 978-1620401934

Product Dimensions:

5.6 x 0.6 x 8.2 inches

Shipping Weight: 7 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

488 customer reviews

Amazon Best Sellers Rank:

#16,906 in Books (See Top 100 in Books)

I loved this book. Perhaps because I love Florence, have stood spellbound looking up at the dome of the church of Santa Maria del Fiore or perhaps because the story of how a man's dream of building a dome without buttresses or wooden centering (wooden support posts) actually came to pass. Whatever the reason, I found the book both beautiful and fascinating.Though the book was about the building of the dome it was about so much more. It told the reader about life in renaissance Florence and brought us into the lives of the people, how they lived, what they ate, the inner workings of their guilds and political system and even how they made bricks. It was truly a wonderful read and I will now order Ross King's book about the painting of the ceiling of the Sistine Chapel by Michelangelo.If you love renaissance history, Florence, art or just enjoy reading a well written story, this is a book is for you.

I am not accustomed to writing book reviews. I will say simply that this text is a revelation. I have traveled to Florence and have visited the dome. I simply did not understand the time, the people, the culture, the politics,the economics the rivalries and the competition that drove the great works of this era. I had no real concept of the enormity of Brunelleschi's accomplishment. One comes away from reading King's book with a deep and broad understanding of this era and all that is embodied therein. The science and architecture that went into the construction of the dome is astonishing. One learns that the designer{s} of the cathedral went ahead with construction without any idea that the dome could actually be built at all. When the structure was ready, a competition for designs was held. This one fact renders the accomplishment even more stunning. If you have an interest in the Renaissance and the science of architecture and engineering this book will satisfy your curiosity.

Other masterpieces are known by specific names. The ceiling at St. Peter's catherdral, the Mona Lisa, the sculpture of David. There would be confusion if we referred to them as "the ceiling", the "painting of a woman", or the "sculpture of a young man" yet there is no confusion to what we are referring when we speak of the Dome or Duomo. The Dome of Florence is a masterpiece that amazes and seemingly defies logic more than 500 years since its completion. Ross King's work brings to light the genius of Brunelleschi and the obstacles he faced. Through splendid story telling we learn not only of the physical hardships in erecting a dome with 4 million bricks and 37,000 tons of building material, but also of the intrigue and rivalries we would expect to take place in 15th century Florence. The best marker of this book is that upon its completion you will have an ever greater apprecation for the Dome and Brunellschi.

There is much to recommend about King's discussion of the construction of the done over the Florentine basilica: his detail of early renaissance Florence is first-rate, the competition between Brunellesci and Ghiberti (not just over the dome, but thoughout their professional lives), the vibrant cross-section of brilliant, talented artists that was Florence in the 15th century all make for engaging reading. Similarly, King's history of the construction of the basilica prior to the dome (the competition for who would have the honors, the compact that the done would follow the original plans of Cambio were all new details to me) is very well done.The issue I take with the text is its relative lack of illustrations of the dome itself: while there are artist's renderings of various construction engines and other architectural diagrams, the noticeable lack of any clear illustration of the interior scaffolding and exterior shell made what could have been an exemplary text simply above average. While King describes in vivid detail the intricacies of its construction and the brilliance of Brunellesci's achievement, a picture (or two) would have gone a long way to breathing life into his words.For potential (or armchair) travelers to Florence, I highly recommend this text (in spite of its shortcomings), as the details of daily life, the myriad setbacks and the scope and scale of the project itself are described in detail, and make a visit to the city (and the cathedral itself) much more relevant with a little background. For readers, like me, who needed (or wished) for some graphic detail on this site in particular (and in 15h century Italian architecture in general), I recommend Renaissance Architecture (History of World Architecture)

I had the opportunity to attend a talk by Mr. Ross a couple weeks ago and it was so interesting that I purchased this book a couple days later. I just finished it and it was excellent, though now I wish I would have known of it sooner so that I could have read it before my many trips to Florence. I was, of course, impressed with the beauty of the cathedral. But now, having learned more of its miraculous history and ingenious construction, I didn't appreciate it nearly enough. Anyone with even a hint of interest in architecture really should read this before a trip to Florence; it makes the history come alive.

This is my second book by this author, and I was very happy to read the book. Having been fortunate to have visited Florence twice and having been to admire the incredible dome, this book was a terrific explanation of this Medieval wonder.King brings together the time and place of Florence in the Middle Ages. The feel of the times, and wonder of new developments we might see as pedestrian are brought to some semblance of life.The book isn't long at under 200 pages, but the ability to make the reader understand how this dome was conceived and built is terrific. I understood the architectural aspects, the structural engineering aspects and what this meant to Europe once it was completed.Worth reading and I look forward to reading King's other books.

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Rabu, 30 Juli 2014

Download PDF , by Scott Ciencin

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Product details

File Size: 3460 KB

Print Length: 355 pages

Publisher: Wizards of the Coast (December 13, 2011)

Publication Date: December 13, 2011

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B005UFN5M0

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Amazon Best Sellers Rank:

#152,246 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

The book has plot elements of a very interesting story, but the execution is pretty shaky. It's as though the author were given a D&D module and told, "Make a novel out of this."The novel is very driven by the plot, and by that I mean it has a series of plot points that it has to hit and everything revolves around getting to the next plot point. It doesn't matter if getting to the next plot point is realistic, feasible, interesting, or well-described. Some group of people (fighter, wizard, cleric, thief) does this, then they do this, then they do this, then done.Characters are pretty flat. Everyone sounds exactly the same, and you are typically given one or two descriptors that become the "hook" to reference that character. For some reason, the author does not like to use the character names or pronouns, but instead refers to them with the "hook." Kelemvor is "the fighter," and 90% of the time, he is referred to as "the fighter." The fighter did this. The fighter did that. The fighter replied. Every character is treated this way. This fighter has reddish skin, so even though you know his name right off the bat, he's "the red-skinned fighter" in every sentence. There's one scene that I think is supposed to be mysterious and foreboding, but it's hard to get into the spirit of it when the main character in that scene is "the bald man," and the bald man enters a dark area, and the bald man does this, and the bald man does that, and the bald man's party steps in to support the bald man, and the bald man balds the bald man bald man bald man.The main group is generally referred to as "the heroes" despite containing very few actual heroes. This gets especially difficult in the next book when "the heroes" contains at least one villain.The deities are incredibly incompetent and their machinations have all the complexity of Skeletor or Wile E. Coyote. At no point was I ever afraid of or in awe of Bane. He just seemed terrible at being evil or conquering anything.The book also does a lot of telling instead of showing, and this is writing 101. You don't declare things about the characters or declare that events happened by fiat - you actually narrate events and let the reader draw their own conclusions. One example among many is that, when "the heroes" meet up with the men following "the bald man," we are told that Cyric (the thief) had tested his skill with a dagger against one of the bald man's men (the albino) and (the albino) had proven almost his equal. This is just declared to us in one sentence. We don't know what happened. We don't know how they tested their skill or what the outcome was. We're just told they did this and it turns out that the albino is pretty good. So, there you go.This declarative way of advancing the story occurs all over the place in ways big and small. It's almost as if the main characters can't be portrayed as heroes, so they're declared to be heroic (over and over again). Events tend to be very generic or summed up in a few words because they're unimportant. Dialogue is unimportant. The characters' personalities are unimportant. Nothing is important except getting to the next "stop" in the plot.Unfortunately, the next book is written in a very similar way, but worse. I'd recommend just going to a website or Wiki page to learn the events that happened in this book so you'll know them for later books in the series (written by a different author). It's not a short book, so you're in for a real slog. I'm very forgiving of fantasy literature, realizing it isn't typically the state of the literary art, but this was really difficult to get through.

Not going to lie. I loved the beginning. I thought that this novel was going to be amazing despite all of the negative reviews. It was getting that way tremendously but about a little over midway in, it started to die. I found the four characters beginning to get annoying, especially Adon. I feel like the author isn't giving Bane enough credit as to how villainous he should be. The concept of the Gods walking the Realms is fantastic and that was the main reason why I wanted to read this series. Since I have began it, I will continue the rest since I have already have all of the books. Seeing the rest of the amazon reviews, it appears it isn't going to get any better until the last two books. I hope so.Off to read Tantras now.

Item was less than advertised condition,although still in readable condition. Spine was broken which if advertised would have made me buy from a different place. I have since bought a replacement to keep.

This book seems like the first draft of an eighth grade English student. By far the worst writing I've ever seen from a professionally published book. Random magical events abound for no reason. Characters behave randomly or fall in love and no motivation is given or even hinted at. I tried to power through so I could read the rest of the series but then I saw that the next book is written by the same person, so screw that.

It was decent but the story line between Kelemvor being the strong silent type and the mage trying to get him to open up got old after the 50th time. Tried to develop too many stories simultaneously while only being able to scratch the surface of them never getting that pull that makes you addicted for more. Also found the "magic instability" in the story to be a frustrating "twist".

I have been reading books set in the Forgotten Realms for awhile and lately I have become interested in the major happenings that have often been alluded to in other books. I am most especially interested in Cyric and how he became a god. But after enjoying stories of set in the forgotten realms by authors such as R.A. Salvatore, Elaine Cunningham, and Paul Kemp this read was like seeing my 8 eight year old make an attempt at writing a novel. Yikes and yuck! There was absolutely no connection or depth to the characters and it seemed as if the author was writing from a script that he was handed; I basically chewed through half the book before I began skimming pages however, even that offered little respite due to the fact that my eye was inevitably drawn to the overused opening of hundreds of sentences "The heroes..." like a fly is drawn to manure. Gah! Even though I am curious about the events that transpired in the Forgotten Realms I am not risking a brain aneurysm by buying another book in this series.

The basic story of this book is a very good one, unfortunately there are times where it seems the author just couldn't come up with something interesting. There are incidents in the book that happen that just don't make any sense. Granted there is supposed to be an explanation in the background of the story, but the author uses it way too much. While trying to make the world seem completely out of whack, all the author succeds in doind is make you go "What the heck is that there for?"One strong point of the book is the storyline and the characters involved. This is just the beginning of the trilogy and all the necessary ground work has been layed. The author does provide good insight into the hero characters, while providing just enough information the adversary to make things interesting.I did enjoy this book overall so I'm giving it three stars, and I am definetly looking forward to Tantras when I think things will really start to get interesting.

I liked the story but either the writing itself or the narrator (I listened to the audio for all of the book) kept be from being drawn in. It felt unreal and did not draw me into the world.

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